Electronic music with a certain break dance appeal - reminiscent of old school Chicago dance floor insanity - is Marc Romboy’s
true passion. Working in dance music for over a decade, Romboy has co-founded and built internationally respected dance-music
labels and projects, never tiring of coming up with fresh and innovative ideas to push the limits of electronic sounds.
At aged five, Romboy was listening to The Rolling Stones, Jimi Hendrix and Pink Floyd via his parents record collection, at eight he
bought his first record ‘The Robots’ by fellow Düsseldorf inhabitants Kraftwerk (“I’ll never forget singing it to our local record dealer,
trying to find what it was”). And, at aged ten, Romboy was djing. “I first began to spin records more or less when I was ten. I didn’t
know that you called it djing, but I was always keen to play music at the parties of my friends or in my school class.”
Romboy first discovered dance music in the mid 80s via the ‘strange’ Chicago sound that became apparent around him. “I didn’t
exactly know the background and roots of this music, but was really flashed when I heard Steve Silk Hurley’s ‘Jack Your Body’ for
the first time. I thought this was music from a different universe.” In 1992 - whilst studying human medicine - fascinated by the early
techno and house records on R&S, Plus 8 and Underground Resistance, Romboy decided to begin producing himself. Along with
his friend Klaus Derichs, he bought an Akai sampler, the Roland TB 303 bass line machine and a mixing desk: “We spent our very
last money and produced some freaky underground records for labels like See Saw, Adam & Eve and Rising High. When the musical
success began I stopped studying.”
In 1994, Romboy and Klaus Derichs founded their own label ‘Le Petit Prince’. The label quickly became one of Germany’s most popular
underground outputs, with Groove magazine charting it as the second most popular label in 1995. It went on to release tracks from
Microwave Prince, Emmanuel Top, Thomas P. Heckmann and Phuture until its demise in 2000.
Around the same time as he formed Le Petit Prince, Romboy also began djing, frequently playing at the techno parties in around
his hometown of Düsseldorf and making his festival debut at the Tribal Gathering in Munich in 1994 (“One of the first great parties
I played”). Now, Romboy regularly travels around the globe at clubs including The Rex in Paris, The End in London, Watergate and
Weekend in Berlin, F.U.S.E. in Brussels, Cocorico in Italy and Cocoon and Monza in Frankfurt. “Basically I love to dj all over the globe
because I like the way that everybody understands and lives the same language, the universal language of techno or house music.”
Romboy began his second label Systematic in 2004, with the first release ‘Every Day In My Life’ produced by Romboy and Booka
Shade. Romboy then went on to collaborate with people like John Dahlbäck, Chelonis R. Jones, Jence from Digitalism and Zoo
Brazil for the label, whilst also releasing EPs from Robert Owens, Blake Baxter, Stephan Bodzin, Gui Boratto, Spirit Catcher and
Dusty Kid. Romboy also released his debut artist album ‘Gemini’ on the label in 2006 to great critical acclaim.
Through both his solo releases and his collaborations, Romboy has also released on labels including Ovum, Simple, Brique Rouge,
Superstition, 20:20 Vision and more. A regular collaboration is that with Romboy and Stephan Bodzin, the two have released records
together on Systematic, 20:20 Vision and Bodzin’s own imprint Herzblut, with ‘Atlas’ and ‘Callisto’, being two of their biggest releases
so far. “All my other collaborations have been done with singers as I love to include the soul caused by the voice in electronic music;
it’s definately my style and passion, soulful techno and house.”
Forthcoming in june 2008, Romboy will release his second artist album on Systematic called ‘Contrast’, produced in cooperation
with his friends and studio mates 45 Rocks. The album brings forth vocal collaborations with artists including Chelonis R. Jones,
Blake Baxter and Mr. K-Alexi from Chicago. “I have chosen the name ‘Contrast’ because I read a scientific report where they said
that human beings need contrasts to be happy, and now it’s a part of my life philosophy. Apart from this I really think that the tracks
on the album are pretty different too. When you listen to ‘Sonora’ and afterwards to ‘Elif’ it is a high contrast. But I like it and I hate
to repeat myself and that’s why I always have to produce new things and ideas so that it’s hard to put me in one category.”
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